He was born at Versailles and studied in Paris with Jules Joseph Lefebvre and Gustave Clarence Rodolphe Boulanger. His themes are generally historical, and he treated them on a colossal scale and in an emotional naturalistic style, with a distinct revelling in horrible subjects and details. He made his Paris Salon début in 1882 with Vitellis traîné dans les rues de Rome par la populace (Vitellius dragged through the streets of Rome by the people) (1882; Sens). He followed this the year afterwards with Andromaque (1882-3; Musée des Beaux-Arts, Rouen), which won that year's prestigious Prix du Salon. There followed La Jacquerie (1885; untraced), Le mort de Babylone (The death of Babylon) (1891; untraced), The death of the Emperor Geta (1899; Musée de Picardie, Amiens), and Barbarian ambassadors at the Court of Justinian (1907; untraced), all of which exemplify his strong and spirited but sensational and often brutal painting. In quite another style and beautiful in color is his Le Chevalier aux Fleurs (The Knight of Flowers) (1894; Musée d'Orsay, Paris; RF 898).
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He was born at Versailles and studied in Paris with Jules Joseph Lefebvre and Gustave Clarence Rodolphe Boulanger. His themes are generally historical, and he treated them on a colossal scale and in an emotional naturalistic style, with a distinct revelling in horrible subjects and details. He made his Paris Salon début in 1882 with Vitellis traîné dans les rues de Rome par la populace (Vitellius dragged through the streets of Rome by the people) (1882; Sens). He followed this the year afterwards with Andromaque (1882-3; Musée des Beaux-Arts, Rouen), which won that year's prestigious Prix du Salon. There followed La Jacquerie (1885; untraced), Le mort de Babylone (The death of Babylon) (1891; untraced), The death of the Emperor Geta (1899; Musée de Picardie, Amiens), and Barbarian ambassadors at the Court of Justinian (1907; untraced), all of which exemplify his strong and spirited but sensational and often brutal painting. In quite another style and beautiful in color is his Le Chevalier aux Fleurs (The Knight of Flowers) (1894; Musée d'Orsay, Paris; RF 898).
© Copyright Wikipédia authors - This article is under licence CC BY-SA 3.0
Born Antoine Georges Marie ROCHEGROSSE
