Family tree of Alphonse OSBERT
Painter
Born Alphonse OSBERT
French painter
Born on March 23, 1857 in Paris , France
Died on August 11, 1939 in Paris , France
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Alphonse Osbert (23 March 1857 – 11 August 1939) was a French Symbolist painter.
Educated at the École des Beaux-Arts, his earliest passion was for the great Spanish masters, particularly Jusepe de Ribera. A shift away from his academic style took place in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Osbert abandoned naturalistic painting in favour of a Pointillist technique like that employed by Seurat and Signac. Also inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue. In the 1890s he was associated with Joséphin Péladan and his order, the Kabbalistic Order of the Rose-Cross.
Osbert's later works include a few commissioned murals, for sites including the Centre Thermal des Dômes in Vichy (1903 and 1904), and the Church Of Saint-Louis in Vichy (1915). An overview of his career titled 'Le peintre symboliste Alphonse Osbert', written by Véronique Dumas, was published by CNRS in 2005.
... Alphonse Osbert (23 March 1857 – 11 August 1939) was a French Symbolist painter.
Educated at the École des Beaux-Arts, his earliest passion was for the great Spanish masters, particularly Jusepe de Ribera. A shift away from his academic style took place in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Osbert abandoned naturalistic painting in favour of a Pointillist technique like that employed by Seurat and Signac. Also inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue. In the 1890s he was associated with Joséphin Péladan and his order, the Kabbalistic Order of the Rose-Cross.
Osbert's later works include a few commissioned murals, for sites including the Centre Thermal des Dômes in Vichy (1903 and 1904), and the Church Of Saint-Louis in Vichy (1915). An overview of his career titled 'Le peintre symboliste Alphonse Osbert', written by Véronique Dumas, was published by CNRS in 2005.
References
Gibson, Michael. "Symbolism". Cologne: Benedikt Taschen Verlag. 1995. ISBN 3-8228-9324-2.
External links
Alphonse Osbert biography at artnet
Osbert paintings at symbolistart.net
Centre Thermal des Dômes at Virtual Vichy (French language site - turn around to take a look at the mural's twin)
Educated at the École des Beaux-Arts, his earliest passion was for the great Spanish masters, particularly Jusepe de Ribera. A shift away from his academic style took place in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Osbert abandoned naturalistic painting in favour of a Pointillist technique like that employed by Seurat and Signac. Also inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue. In the 1890s he was associated with Joséphin Péladan and his order, the Kabbalistic Order of the Rose-Cross.
Osbert's later works include a few commissioned murals, for sites including the Centre Thermal des Dômes in Vichy (1903 and 1904), and the Church Of Saint-Louis in Vichy (1915). An overview of his career titled 'Le peintre symboliste Alphonse Osbert', written by Véronique Dumas, was published by CNRS in 2005.
... Alphonse Osbert (23 March 1857 – 11 August 1939) was a French Symbolist painter.
Educated at the École des Beaux-Arts, his earliest passion was for the great Spanish masters, particularly Jusepe de Ribera. A shift away from his academic style took place in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Osbert abandoned naturalistic painting in favour of a Pointillist technique like that employed by Seurat and Signac. Also inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue. In the 1890s he was associated with Joséphin Péladan and his order, the Kabbalistic Order of the Rose-Cross.
Osbert's later works include a few commissioned murals, for sites including the Centre Thermal des Dômes in Vichy (1903 and 1904), and the Church Of Saint-Louis in Vichy (1915). An overview of his career titled 'Le peintre symboliste Alphonse Osbert', written by Véronique Dumas, was published by CNRS in 2005.
References
Gibson, Michael. "Symbolism". Cologne: Benedikt Taschen Verlag. 1995. ISBN 3-8228-9324-2.
External links
Alphonse Osbert biography at artnet
Osbert paintings at symbolistart.net
Centre Thermal des Dômes at Virtual Vichy (French language site - turn around to take a look at the mural's twin)
Biography from Wikipedia (see original) under licence CC BY-SA 3.0
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