BENJAMIN-CONSTANT

Family tree of BENJAMIN-CONSTANT

Painter

FrenchBorn François Jean Joseph Benjamin CONSTANT

French painter and etcher

Born on June 10, 1845 in Paris, France , France

Died on May 26, 1902 in Paris, France

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Benjamin-Constant was born in Paris. He studied at the Ecole des Beaux-Arts in Paris, where he was a pupil of Alexandre Cabanel. A journey to Morocco in 1872 strongly influenced his early artistic development and lead him to produce Romantic scenes under the spell of Orientalism. Among his noted works in this vein are Last Rebels, Justice in the Harem (both in the Luxembourg Gallery), Les Chérifas, and Moroccan Prisoners (Bordeaux). His large canvas, The Entrance of Mahomet II into Constantinople (Toulouse Museum), received a medal in 1876.



After 1880, he changed his manner, devoting himself to mural decorations and to portraits. Prominent examples include the great plafond in the Hôtel de Ville, Paris, entitled Paris Convening the World; his paintings in the New Sorbonne, representing Literature, The Sciences, and the Academy of Paris; and the plafond of the Opéra Comique theatre. He was distinguished as a portrait painter, especially in England, where he was a favorite of the aristocracy. His portrait Mons fils André (Luxembourg) was awarded a medal of honor at the Salon in 1896.

...   Benjamin-Constant was born in Paris. He studied at the Ecole des Beaux-Arts in Paris, where he was a pupil of Alexandre Cabanel. A journey to Morocco in 1872 strongly influenced his early artistic development and lead him to produce Romantic scenes under the spell of Orientalism. Among his noted works in this vein are Last Rebels, Justice in the Harem (both in the Luxembourg Gallery), Les Chérifas, and Moroccan Prisoners (Bordeaux). His large canvas, The Entrance of Mahomet II into Constantinople (Toulouse Museum), received a medal in 1876.



After 1880, he changed his manner, devoting himself to mural decorations and to portraits. Prominent examples include the great plafond in the Hôtel de Ville, Paris, entitled Paris Convening the World; his paintings in the New Sorbonne, representing Literature, The Sciences, and the Academy of Paris; and the plafond of the Opéra Comique theatre. He was distinguished as a portrait painter, especially in England, where he was a favorite of the aristocracy. His portrait Mons fils André (Luxembourg) was awarded a medal of honor at the Salon in 1896.



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