Family tree of Michel BUTOR
Author, Poet
Born Michel BUTOR
French writer
Born on September 14, 1926 in Mons-en-Barœul (59)
Died on August 24, 2016 in Contamine-sur-Arve (74)
Family tree
Report an error
This form allows you to report an error or to submit additional information about this family tree: Michel BUTOR (1926)
More information
Michel Marie François Butor was born in Mons-en-Bar?ul, a suburb of Lille. He studied philosophy at the Sorbonne, graduating in 1947. He has taught in Egypt, Manchester, Salonika, the United States, and Geneva. He has won many literary awards for his work, including the Prix Apollo, the Prix Fénéon; and the Prix Renaudot.
Journalists and critics have associated his novels with the nouveau roman, but Butor himself long resisted that association. The main point of similarity is a very general one, not much beyond that; like exponents of the nouveau roman, he can be described as an experimental writer. His best-known novel, La Modification, for instance, is written entirely in the second person.[citation needed] In his 1967 La critique et l'invention, he famously said that even the most literal quotation is already a kind of parody because of its "trans-contextualization."
... Michel Marie François Butor was born in Mons-en-Bar?ul, a suburb of Lille. He studied philosophy at the Sorbonne, graduating in 1947. He has taught in Egypt, Manchester, Salonika, the United States, and Geneva. He has won many literary awards for his work, including the Prix Apollo, the Prix Fénéon; and the Prix Renaudot.
Journalists and critics have associated his novels with the nouveau roman, but Butor himself long resisted that association. The main point of similarity is a very general one, not much beyond that; like exponents of the nouveau roman, he can be described as an experimental writer. His best-known novel, La Modification, for instance, is written entirely in the second person.[citation needed] In his 1967 La critique et l'invention, he famously said that even the most literal quotation is already a kind of parody because of its "trans-contextualization."
For decades, he chose to work in other forms, from essays to poetry to artist's books to unclassifiable works like Mobile. Literature, painting and travel are subjects particularly dear to Butor. Part of the fascination of his writing is the way it combines the rigorous symmetries that led Roland Barthes to praise him as an epitome of structuralism (exemplified, for instance, by the architectural scheme of Passage de Milan or the calendrical structure of L'emploi du temps) with a lyrical sensibility more akin to Baudelaire than to Robbe-Grillet.
In an interview in the Museum of Modern Art, New York, conducted in 2006, the poet John Ashbery describes how he wanted to sit next to Michel Butor at a dinner in New York.
Butor was a close friend and colleague of Elinor Miller, a French professor at Embry Riddle University. Butor and Miller worked collaboratively on translations and lectures. In 2002, Miller published a book on Butor entitled Prisms and Rainbows: Michel Butor's Collaborations with Jacques Monory, Jiri Kolar, and Pierre Alechinsky.
Journalists and critics have associated his novels with the nouveau roman, but Butor himself long resisted that association. The main point of similarity is a very general one, not much beyond that; like exponents of the nouveau roman, he can be described as an experimental writer. His best-known novel, La Modification, for instance, is written entirely in the second person.[citation needed] In his 1967 La critique et l'invention, he famously said that even the most literal quotation is already a kind of parody because of its "trans-contextualization."
... Michel Marie François Butor was born in Mons-en-Bar?ul, a suburb of Lille. He studied philosophy at the Sorbonne, graduating in 1947. He has taught in Egypt, Manchester, Salonika, the United States, and Geneva. He has won many literary awards for his work, including the Prix Apollo, the Prix Fénéon; and the Prix Renaudot.
Journalists and critics have associated his novels with the nouveau roman, but Butor himself long resisted that association. The main point of similarity is a very general one, not much beyond that; like exponents of the nouveau roman, he can be described as an experimental writer. His best-known novel, La Modification, for instance, is written entirely in the second person.[citation needed] In his 1967 La critique et l'invention, he famously said that even the most literal quotation is already a kind of parody because of its "trans-contextualization."
For decades, he chose to work in other forms, from essays to poetry to artist's books to unclassifiable works like Mobile. Literature, painting and travel are subjects particularly dear to Butor. Part of the fascination of his writing is the way it combines the rigorous symmetries that led Roland Barthes to praise him as an epitome of structuralism (exemplified, for instance, by the architectural scheme of Passage de Milan or the calendrical structure of L'emploi du temps) with a lyrical sensibility more akin to Baudelaire than to Robbe-Grillet.
In an interview in the Museum of Modern Art, New York, conducted in 2006, the poet John Ashbery describes how he wanted to sit next to Michel Butor at a dinner in New York.
Butor was a close friend and colleague of Elinor Miller, a French professor at Embry Riddle University. Butor and Miller worked collaboratively on translations and lectures. In 2002, Miller published a book on Butor entitled Prisms and Rainbows: Michel Butor's Collaborations with Jacques Monory, Jiri Kolar, and Pierre Alechinsky.
© Copyright Wikipédia authors - This article is under licence CC BY-SA 3.0
Geographical origins
The map below shows the places where the ancestors of the famous person lived.
Loading...
An error has occured while loading the map.
They are related
Submit your relationship
Log in to your Geneanet account
Start your family tree
Create your family tree and take advantage of valuable tips to help you search your ancestors.
